Pat Palmer rises to greet me as I enter her comfortable, spacious room at Camberwell Green. The dresser is crowded with family photos and, as she tells me, despite her 93 years and a recent stroke she has no intention of shuffling off this mortal coil yet; she has too much still to experience.
WHEN I had a Malvern Star bicycle as a boy I never considered it anything more than just “my bike”. It was there so I could ride with my friends; we all learnt by experience of gears, clusters, chains, brakes, derailleurs etc., and helping each other through various breakdowns was part of growing up.
Glenn Loughrey describe his art as coming out of the Aboriginal style. There are patterns that go down eons into the ground and they come up and show themselves; it’s not so much a geographical map, but a map of the patterns of the stories that sit underneath. of the patterns of the stories that sit underneath. So I use that to some degree, but I also use perspective, and while I will have that pattern look, there will still be sky. The process shifts backwards and forwards; that’s been a part of the process of learning about myself as an Aboriginal person and painting out of that.